In a world where art is a form of rebellion, you're here to join the ranks of the most avant-garde, the boldest, and the most... modest. Welcome to the Modestrial History of Neo-Brutalist masterpieces, where we celebrate the art of being unapologetically plain.
Modestrialism is a movement that began in the depths of the 20th century, where artists rejected the opulence of the bourgeoisie and instead opted for a more... well, modest approach to art. No frills, no fuss, just the bare essentials.
It was the 1960s, and the world was changing fast. Artists like Donald Judd and Robert Morris were experimenting with new forms, new materials, and new ideas. They rejected the ornate, the elaborate, and the overwrought. In came the plain, the simple, and the... well, the modest.
From Judd's iconic 15-canvas installation at the 1964 exhibition in New York, to Morris's use of humble, everyday materials like cardboard and fabric, the Modestrials were pushing the boundaries of what was acceptable in the art world.
Want to learn more about the pioneers of Modestrialism? Click here to explore the lives and works of these visionaries.
Or, if you're feeling adventurous, create your own Neo-Brutalist masterpiece with our interactive tutorial!
So, what makes a true Modestrial work of art? Here are a few tips from the masters:
Use only one color: a bold, bright hue that screams "I've got a message, and it's not going to be subtle!"
Forget about texture: who needs fancy fabrics or intricate patterns when you can have a plain old canvas?
And don't even think about it: sometimes, the best Modestrial art is the art that says "I'm not even trying."
Want to see more tips? Click here for the full guide to creating your own Neo-Brutalist masterpiece!