"You Shook Me" (from "Highway to Hell") is an exemplary case of passive voice. The subject is the thing that's being acted upon, rather than the doer of the action: "You shook me, you've got to go".
"The Jack" (from "Dirty Deeds Done Dirt cheap") uses a passive construction to create a sense of distance: "The Jack that's got the power, got the skill".
Even in the iconic "Thunderstruck", we find: "Thunderstruck, you're not the only one" – an instance of passive voice that's as big as Angus Young himself.
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